I’m looking to create a series of large images that communicate the changes in the urban landscape over human time-frames. One way to do this is to show before and after pictures of a scene. However, if I don’t have an historical photo I have to think of something else. In this case I’m going to explore combining photographs printed in silver-chloride (for that sepia look) with video. The hand printed photos will be presented on scrolls hanging in front of the video. The videos presented here are representations of the final works.
Beijing (北京) on a sunny — though hazy — winter’s day. Beijing does get clear sunny days when its windy.
It’s cold in December. A bit of a no-brainer statement for everyone who lives in the northern hemisphere, but for us equatorians, where it only gets cold in the office, the sub-zero chill of Beijing gets me shaking uncontrollably.
I shot the above picture while my wife was browsing in the bookstore next to an art gallery. Lucky for her, she can read Chinese. Once I realised that there weren’t any suitable books for me, I went outside to make my own art.
In the middle ground of the picture above, there are some small businesses trying to eke out an existence butted up against the train line behind them. In the background, through the haze, is the city core, with its buildings glinting in the fleeting sun.
This is a shot of the moat surrounding The Palace Museum (故宫), also known as The Forbidden City. The moat is frozen. The cold makes my nose run and my eyes water. I try to operate my camera with my gloves on. For the most part this is achievable, however, I later discover that sometimes I change the shutter speed when cocking the shutter (yeah, the camera is that old). Speaking (writing) of old cameras — this one, a Yashica TLR 635, was made in 1958. I get a lot of curious looks from people when they see the camera. Two people gave me big grins and a thumbs up. Others tried to look through the viewfinder, which is a large, deep square on top of the camera.
The Palace Museum is amazing. Built from the early 1400s, added to, and renovated over a few centuries, the place is vast, but it has a feeling of emptiness. Tourists fill the void.
We met an artist on our first night in Beijing who comes from Mongolia. He has an interest in Buddhist scriptures and has been helping the Yonghe institution with their extensive archive of woodblock prints. We got a peek at some of the collection.
Temple of Heaven 天坛
The above three pictures are from the Temple of Heaven, also known as Tian Tan (天坛). Built from the early 1400s the complex was visited by emperors for annual ceremonies of prayer for good harvest.
The photo above was taken by my grandmother’s uncle, Herbert Brewster, when he lived in Manchuria from 1913 — ca. 1922.
Earlier this year I visited the National Library of Singapore. The architecture, deigned by Ken Yeang, is quite interesting, but the day became overcast just after I arrived. The photo above was one of the last that I shot before the rain.
Looking straight up to the shaded skylight. I tried printing light but the image lacked the the feeling I hoped for, so I’ve printed down to explore a darker mood.
This series makes me dark and moody. It turned out opposite to my goal of conveing the strong feeling of lightness that Singapore exhibits almost everyday.
I’m looking for the feeling I get when looking at early urban landscape pictures from the 19th century (using silver chloride), but I seem to have ended up in the work typical of the 20th century with its contrasty, shadow heavy silver bromide images.
The first picture works well. I think the second and third also work in this interpretation.
This last picture also lacked the brightness that I’m after, but has contrasts and details that work really well.
Film is Ilford FP4 shot on a Yashica 635 twin lens camera from 1958. I think the focal length is about 80mm.